Skip to content
BrightVoice

Dance Luminary Matthew Ball on Grueling Roles and Online Attention: 'I'm Not Protective About My Body'

Within the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his limbs defined beneath a plain white T-shirt. On stage, dancers can appear like mighty gods, yet frequently offstage they are small. Not so Ball, whose height is part of his popularity for heroic roles and pas de deux work. Possessing delicate features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was advanced annually, reaching the highest position of principal in 2018. He has loved taking on meaty characters, particularly the psychological angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured role is as himself, in an "In Conversation" event aiming to offer intimate perspectives into a performer's art. He will guide the crowd through a role, showing his mental process while performance. Yet in lighter works, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Game and After the Show Feelings

What about after a performance, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Creative Inspirations

Ball's determination stemmed from youthful experiences. Not doing well in competitions at school made him "driven!" This became fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

An upcoming endeavor is creating his own dance works. For Ball, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from literature, music, and art.

Intimate Dance and Personal Partnership

He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Bodily Perception

On social media, fans can see videos from his dance films and images that highlight a sculpted physique. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be interpreted on multiple levels.

Ball describes his younger self as "desperate for success." Did it met his hopes? "I am conscious of how reality is a different thing to the dreams you had as a young person," he muses. He likely has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Amber Stewart

Elara Vance is a digital marketing strategist with over a decade of experience helping businesses scale through innovative campaigns.

BrightVoice

Type to search articles.